The heroine of The Acolyte can’t accept that which was lost, and the same struggle plagues the Star Wars franchise, which has vainly attempted to recapture the magic of George Lucas’ installments—the iconic original trilogy as well as the messy prequels—ever since it was sold to Disney in 2012.
The latest tale in the galaxy far, far away is set a century before Star Wars: Episode 1—The Phantom Menace, and dispenses more of the ho-hum characters, mythological convolutions, and second-rate action that have become, over the past decade, the property’s stock and trade. An adventure concerning a young woman with deep ties to the Jedi she once sought to join, it’s the umpteenth example of the fact that not all sagas need to go on indefinitely—and especially not via formulaic prequels.
(Warning: Some spoilers ahead.)